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SHAOLIN
MARTIAL ARTS Considered by many to be a classic, the early Lau Kar Leung-choreographed performances here are, by modern standards, quite dull and quite slow. Most of the good guys (FS, CKK, GL) perform hung gar (elements from tiger-crane, lau gar kune and kung gee fook foo). Fu Sheng performs the tiger-crane form repeatedly. GL gets eagle claw training (but it faintly resembles the real thing). LKY and WLL play villains with iron bodies (so they don't have to move much). CKK supposedly learns wing chun, but the wing chun training consists entirely of body-piercing one-inch finger strikes (not really wing chun). Laughably, CKK's sifu is guy who plays the fat Japanese villain from "Chinese Connection". This film is for the bored, and for avid Shaw Brothers collectors only. GAME
OF DEATH Despite
the cheesiness of the Bruce Lee imitators and special effects Sammo Hung does a nice job choreographing the imitators in Lee-isms (although he does a much better job himself; see "Enter the Fat Dragon"), a few of whom are decent tae kwon do-style kickers. Sammo has a cameo and lets himself get beaten by an over the hill Bob Wall. The last ten minutes of pure Lee is worth the wait. This film is a far cry from Lee's original concept for the film. What remains of it, the finale, is enlightening and contains some JKD that is less filtered than in other Lee films. Against Inosanto (the escrima and nunchaku expert), Lee disarms with a bamboo cane (unfortunately, we don't get Lee doing escrima) to battle with nunchakus. Against Chi Hon Choi (hapkido), Lee employs clever distance-closing/direct and indirect attacks, and a variety of throws (not seen in any other Lee films). Against Jabbar, Lee uses his surroundings (sunlight, stairway), and ends the duel with groundfighting and chokeholds. FISTS
OF THE WHITE LOTUS A pure kung fu movie with one of those great stories that is technique- inspired. After Lau pursues White Lotus (chi kung) master Lo Lieh with hung gar (tiger crane, done skillfully), he goes away to train in new variations of tiger crane. He also turns to Wai Ying Hung (one of the great kung fu movie women ever), who teaches him a soft woman's style of kung fu (a mu lan/wu shu variation), and a doctor who shows him how to attack acu-points. As with so many Lau Kar Leung-choreographed films, this one is full of martial arts lessons about intentionality, sensitivity, and hard vs. soft technique. This is one of Lo Lieh's absolute finest performances. A superb classic. REAL
KUNG FU OF SHAOLIN Early 80s mainland production that has similar feel as Shaolin Assassin and also features unknown but very good wu shu performers. The hero of this one reminds of Don Wong (Wang Tao) in his prime, with similar Shaolin-based moves (not wu shu; something more practical). But this guy is faster and more skilled. Plenty of temple training sequences early on. Shot on location in the Kaifeng/Loyang/Shaolin temple area of China. BLACK
CITY A cheapo
attempt to cash in on the 'Young & Dangerous' wave, this ensemble
I
WILL FINALLY KNOCK YOU DOWN, DAD Get past the goofy title, and this is a gem. Done in the early 1980s, this comedy introduced a young Chin Siu Ho as a Yuen Biao-type comedy fighter. Indeed, Chin's acting and kung fu here are VERY similar to Yuen's early work (probably because Shaw Brothers wanted to compete with their cross Hong Kong rivals). So is the story, reminiscent of "Prodigal Son". Chin, Ko Fei and (surprisingly) Chen Kuan Tai show off very crisp, acrobatic, intricately-choreographed old school kung fu that is satisfying. Highly entertaining. It is too bad Chin Siu Ho never followed this performance with more pure martial arts films.
POSTMAN
STRIKES BACK Directed
by Ronny Yu and choreographed by Yuen Wo-Ping, this tale about a KILLER
IN WHITE A strange
film that doesn't know what it wants to be. Part bumpkin/gambling REVENGER Boring
and confusing Taiwanese production in which Ti Lung plays two parts,
STORY
OF RICKY Based
on the Japanese comic book "Rikki O", this is one bizarre
'future SPY
IN THE PALACE Mainland
Chinese kung fu films have often been better than those from HK or
Stars: ? MA rating: quantity-1, quality-4 This
nicely-done epic about a eunuch in the dying years of the Ching dynasty
SWORDSMAN
II A happy
go-lucky Jet Li flies around, goofs around and does...no martial arts
STORY
OF FONG SAI YUK This
late 90s reissue is actually a compilation that jams together an edited
HELLS
WIND STAFF Very
enjoyable late 1970s classic featuring typically complex choreography
BRUCE
KING OF KUNG FU For
martial arts, there is only a long haired HJL, who (as usual) kicks
MURDER
OF MURDERS Chik, one of the staples of Chang Cheh's Shaw Brothers crew, is one of the worst actors without a doubt. He struck out on his own after he left Shaw, and made some horrible films like this sleep-inducing court intrigue. Chik is slow, not fluid and when nothing else works, he tiger claws the air (a bit of hung gar), then resumes the bad choreography. Nothing else to say, except Wu Ma directed it. HOCUS
POCUS If you
love martial arts movies that feature excellent Peking/Cantonese
7
GRANDMASTERS Old school classic directed by Joseph Kuo. An aging pak mei (white eyebrow style) master played by Jack Long wants to retire as the master of seven provinces, but receives a final challenge on retirement day. To be sure he has earned the title, he revisits and rechallenges various masters. The first half is extremely enjoyable, with Long involved in duel after duel. Second half is less interesting, as Long's character becomes "ill", but accepts a new student, Lee I Min (who is actually being set up by an old foe of Long's to kill Long, using lost pak mei techniques). The MA is excellently choreographed, but moves do not resemble any real pak mei I have seen. Lee I Min is annoying as an actor (and his prominence over the superior Long in the second half is irritating) but it is hard to deny his agility and speed. A great deal of duels, training sequences. MISSION
KISS AND KILL Lee I Min and a guy who looks exactly like him (an actor who would later play Jet Li's buddy in "My Father is A Hero") play a pair of "cocky" Fu Sheng/Jackie types. A lot of dumb boy-girl "humor". Finale has the boys fighting Lung Fei, who uses (ridiculously fake) 'crab' techniques. Acrobatic, flowery old school kung fu movie fighting, with no identifiable styles to speak of. THe most physically impressive player is Lung Fei. POSSESSION
OF GHOST Despite the title, this is NOT a ghost movie. Rather it is 95% martial arts comedy, and 5% "wizardry" (a villain who mixes wizardly spells with MA). This Taiwanese film is directed by Sammo Hung (who hides behind the pseudonym "Gum Bo" in the credits). Synopsis: a wacky/nuts expatriate Shaolin monk trains five fighters in various "styles" of kung fu including flying, gymnastics (precursor to 'Gymkata'), etc. One of the heroes may be a young Alexander Lo. This guy has moves, including great kicks. Same for the white-haired villain. Although plenty of action, film suffers from a little too much silliness and not quite enough serious MA. CALL
ME DRAGON Directed
by Ng See Yuen, this is a tour de force for the two stars. Certainly
one of the best performances of Leung's career (which was marred by
one too many Bruce Lee imitation attempts and bad scripts). In this
one, he is not a Lee-alike, but a Robin Hood-type character who goes
up against a corrupt town and a Japanese heavy (Kurata). Very fast and
explosive kicks from both stars. Highlights: Leung's great chain kicking,
jumping/spinning, big jumping SEVEN
BLOWS OF THE DRAGON (WATER MARGIN) Classic
early Chang Cheh epic. I recommend this film more as an adaptation of
HOLY
VIRGIN VS. EVIL DEAD ACTION
TAE KWON DO CRUSH (CHINESE TAE KWON DO) These
two early 1970s "chop sockeys" were probably shot at the
same time, 10
BROTHERS OF SHAOLIN A very
typical mid-1970s Taiwanese production with typical Ming/Shaolin BALLISTIC
KISS This
was Donnie Yen's directoral debut, with a story written by Bey Logan
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